Friday, 30 January 2015

Caledonian Road


She dealt with that well; if they throw something move it, don't throw it back. The younger men act up, drinking, stand at the front but backs to the stage. One thought this was a dance floor, another threw his hat at her feet, shouting, 'wear it'. Some boys are naughty when they try to be friendly; he made some gesture to make her laugh but someone called out, 'don't laugh you put me off'. Well, you can't please everyone and she won't shake her hips, part her legs, squeeze her tits or strip until everyone has paid a pound, change is given. The older men, alone or in groups stand hands in pockets and nod when I pass; one expert to another when flesh is the subject and the bar is not far away. No fooling on a Friday night out, I am here for the same reason as you. She flips from a smiling shop girl taking the money to a woman on stage, get the music right first. Girl You'll Be a Woman Soon is stopped before they have time to recall Urge Overkill. She puts on something faster like he used to dance to in the 90s then gets down to getting them off. This girl does it for the stage and eyes the walls and floor as her lover. These men like sport, the place gets packed after a big game and they evaluate muscle and cheer the girls who are built for a good workout. One shouted, 'no that's wrong,' with a laugh in his voice when a girl fingered herself then licked her fingers, all the time looking at us. But the girl who's up now teases the floor; we're not there as she lowers herself slowly, shoulder blades tense, then turns raising her hips before the music stops and she smiles at applause. While she was on the stripper up next looks young and shy, she's in the wrong job asking for coins. Her cover up is cream knitwear, no taller than me in her heels, voice not loud enough to hear an accent. She's up on the stage, now confrontational down to her legwarmers in black high street vest and knickers set, I've got some the same. Any romance about the girl next door is gone; she's playing it filthy, treats herself rough and in language we can all understand says, 'I can take it, can you?'. The men take her seriously and clap obediently. Round one to the 5' blonde. The girls are all blonde or have dark brown or black hair, most are shaved, some are tattooed, they all know stagecraft. I've never seen a redhead stripper nor have I ever seen bruises. They range from petite to athletic, statuesque to voluptuous; white, oriental, black or olive skinned. They look healthy and dance like they have training. Heavy make-up is rare but high heels always stay on; perhaps it's the law. The man next to me says, 'she's not the girl I paid for but she's fit'. Her whole body pouts in Mediterranean comfort as she stands, one leg bent, leaning against the wall close enough for us to touch; she turns from the waist and bows forward so her hair touches the floor. A perfect abstraction.   
 
 

Thursday, 29 January 2015

tough blondes origin unknown


immaculate
security
for causes
kingswear
dapper
fortune

patience
authentic
sevens
laurel
studio twist
hideaway

sedation clinic
contact
the bird
lounge
licence

slick man
gloss
cabin
montage
forest estate

sugar mountain
sedation clinic
sugar mountain
sedation clinic
sugar mountain
sedation clinic

 

 

 

 

Tuesday, 27 January 2015

for a second


see a circle
we were art
from the first
are there steps
rocks or waves
never
so clear
falling voices
but the moon
you saw falling
is something
to believe
when I saw
a ring
round the moon
concrete down
the cliff face
like holy symbolic
now this is now
under sky light
take sea light
that ring
perfect circle
far away
now you see
symmetry
unmoving
the cliff face
the wave
I missed
mist us
slow down
a night
voices clear
just the moon
you say falling
walking
say something
in silent
symmetry
down
the cliff face
concrete
the sea
freeze frame
the sea
and the moon
we were art
slowly
the cliff face
now we are now
the moon
in a circle
can you see
the waves
tell me
something
symmetry or circle
anything
not silence

 

Sunday, 25 January 2015

From naked


Behind the curtain a low priestess drifts between fireworks and long baths while the party crackles on the other side.

Bombed out furniture and a mysterious web binding her wrist and left to trail chaotic in is this love all I live for.

She takes two notes and recognises the voice of an old friend but wears invisibility safe from words.

Edit the night and linger by a pack of cards as they landed on winter pavement. Games played with a name she sings to a window when the cards fall.

Hello rainbow oil wheel someone left the engine running for a three bar cross future season.

Our past can't change for me to be hearts or you be my lantern I've never seen as many stars as now.